Here we discuss more paper types:
18.104.22.168 Mat board
Mat board is readily available because it is used for mounts around a picture in a frame. It is acid-free. Mat board usually has significant texture. It's fairly difficult to work on for beginners and it might be a little delecate compared to high quality paper. This means that it will not “take the layers” as well. However, some artists like mat board for graphite. If you use it then be very gentle with the pencils. Use only the weight of the pencil to make a mark, and be patient.
22.214.171.124 Illustration board
Illustration board is finished only on one side. This side is often watermarked in one corner and can serve as an indicator if you are in doubt: The watermark is visible from the good side. If you cut down a full sheet, then place a small identifier on the good side to make it easy to identify.
The surface of an illustration board is very good for scanning and as a master for print making. If you intend to easily reproduce your originals to sell copies, then consider illustration board if it suits your style.
126.96.36.199 Bristol board
Bristol has two working surfaces. It is often lighter than illustration board. It is good for long-term use and preserves well. You can also find archival Bristol board.
Plate Bristol board is somewhat like hot press.
Vellum Bristol board is somewhat like cold press.
188.8.131.52 Drafting paper
Drafting paper is an interesting medium. It is smooth, yet rough which is an odd thing to state, but I mean by this that it seems smooth to touch, but when you draw on it, it grabs the graphite and wears the pencil quickly. It's almost like extremely file sand-paper. Because of this, it produces a very good black. Another interesting property is that it is translucent. For beginners, this is an advantage if you care to copy a picture on a scale of 1:1. Simply overlay the drawing, and trace a contour. Then you can place the drafting paper on a clear white background and progress to rendering. When you use an erase, it will smudge. It will also smudge when touching it, however these smudges will vanish with a clean eraser, and the surface is very tough. It's an unusual but interesting option for graphite artists.
(C) Jeremy Lee 2010, all rights reserved.
Note: I am allowing the blogs in the category 'Book' to be stored for personal use only, but not for distribution or commercial use. Should you wish to reproduce any material, please contact me for negotiations.
spOOk's art is owned by Jeremy. He has practiced drawing and painting for about 40 years, and might get good at it one day. spOOk's art is focused on graphite portraits.